Difference between revisions of "The Declaration"
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(New page: {{stub}} The fourth mural in <i>The Anteroom Series</i> by Anzo Riveroler, located in the octagonal main entryway of the Sacellum Chancel. "The Declaration...) |
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The fourth mural in [[Chancelry Anteroom|<i>The Anteroom Series</i>]] by [[Anzo Riveroler]], located in the octagonal main entryway of the [[Sacellum Chancel]]. | The fourth mural in [[Chancelry Anteroom|<i>The Anteroom Series</i>]] by [[Anzo Riveroler]], located in the octagonal main entryway of the [[Sacellum Chancel]]. | ||
| − | "The Declaration" depicts [[Steros Merroand]]'s revelation to [[Antioch]] and his minsters that [[Alexandria]], not [[Antioch]], was the savior spoken of in Alabar's prophecies, generally considered to be the start of the Prophet's War. The sword featured in this painting is not Steros', as one might expect, but rather [[Shadowfell]], the bastard sword crafted by [[Antioch]] for his failed assault on [[the Dark Lord]]. | + | "The Declaration" depicts [[Steros Merroand]]'s revelation to [[Antioch]] and his minsters that [[Alexandria]], not [[Antioch]], was the savior spoken of in Alabar's prophecies, generally considered to be the start of the Prophet's War. The sword featured in this painting is not Steros', as one might expect, but rather [[Shadowfell]], the stariron bastard sword crafted by [[Antioch]] for his failed assault on [[the Dark Lord]]. |
Revision as of 16:11, 14 December 2009
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The fourth mural in The Anteroom Series by Anzo Riveroler, located in the octagonal main entryway of the Sacellum Chancel.
"The Declaration" depicts Steros Merroand's revelation to Antioch and his minsters that Alexandria, not Antioch, was the savior spoken of in Alabar's prophecies, generally considered to be the start of the Prophet's War. The sword featured in this painting is not Steros', as one might expect, but rather Shadowfell, the stariron bastard sword crafted by Antioch for his failed assault on the Dark Lord.
