Difference between revisions of "Martyr's Last Breath"

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(New page: {{stub}} The sixth mural in <i>The Anteroom Series</i> by Anzo Riveroler, located in the octagonal main entryway of the Sacellum Chancel. "Martyr's Last Br...)
 
 
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The sixth mural in [[Chancelry Anteroom|<i>The Anteroom Series</i>]] by [[Anzo Riveroler]], located in the octagonal main entryway of the [[Sacellum Chancel]].
 
The sixth mural in [[Chancelry Anteroom|<i>The Anteroom Series</i>]] by [[Anzo Riveroler]], located in the octagonal main entryway of the [[Sacellum Chancel]].
  
"Martyr's Last Breath" depicts Alexandria Omnity's last earthly moments. Staggering from a traitorous strike from Sayid's cursed scimitar, supported by [[Dadtim the Younger]], Alexandria struggles vainly to stand and raise the [[Thorn of Midnight]].
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"Martyr's Last Breath" depicts Alexandria Omnity's last earthly moments. Staggering from a traitorous strike from Sayid's cursed scimitar and supported by [[Dadtim the Younger]], Alexandria struggles vainly to stand and raise [[Entropy's End]] and continue the fight.
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Of all the murals, Martyr's Last Breath is the only one to show actual combat, although the sword in the mural is still point downward. Despite the martial scene, the look on Alexandria's face is not one of struggle or pain, but rather serenity.

Latest revision as of 18:01, 14 December 2009

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The sixth mural in The Anteroom Series by Anzo Riveroler, located in the octagonal main entryway of the Sacellum Chancel.

"Martyr's Last Breath" depicts Alexandria Omnity's last earthly moments. Staggering from a traitorous strike from Sayid's cursed scimitar and supported by Dadtim the Younger, Alexandria struggles vainly to stand and raise Entropy's End and continue the fight.

Of all the murals, Martyr's Last Breath is the only one to show actual combat, although the sword in the mural is still point downward. Despite the martial scene, the look on Alexandria's face is not one of struggle or pain, but rather serenity.